Impacts of drumming from the DrumPulse Events Blog

Drumming often bring substantial benefits to teams as a whole and individual participants in our drumming events. On this page, we provide all the posts from the DrumPulse Events Blog that are concerned with the impacts of drumming.

Learning something new in drumming events

by Mark Hunter on March 14, 2013

Mark Hunter

It has been back to school for me, to learn how to play the Cajon! While learning from scratch on this unfamiliar instrument, I immediately had a window into what participants must feel like when they take part for the first time in our drumming events and the journey they make.

In our drumming events, we pride ourselves in being able to offer a wide range of the best drums from across the globe, and I am always trying, and learning, new instruments. Because of our longstanding relationship with the world’s biggest drum company, Remo, and having been a professional musician for many years, we have at our disposal a selection of around 2000 drums. Over the years, the office has been stashed with a diverse range of drums that I regularly review and play.

Mark Hunter

The one drum or percussion object that I have never played, until last week, is the Cajon. The Cajon is a hollow, specially designed wooden box. You sit on it and play it between the legs. Normally used to accompany Spanish flamenco music, the Cajon has a long folkloric history.

So, it has been back to school for me, learning just as a beginner all the basics! There are multiple hand techniques and sounds to master. Even though I am a drummer, the Cajon offers many new challenges and is by no means simple to learn!

Learning from scratch on this unfamiliar instrument gave me a valuable window into what participants must feel like when they take part for the first time in our drumming activities. Learning any new skill unearths so many different emotions and behaviours.

When people take part in our drumming events, apart from all the laughs, fun and entertainment that have become our trademarks, there are also two types of experience happening at once.

Firstly, participants become aware that they are part of a group of players, all contributing to create one sound. This, in itself, is often a powerful surprise and why we as facilitators bring out many team building metaphors.

Secondly, there is the internal experience involving the ‘nuts and bolts’ of learning a new instrument. In limited time, participants have to learn to hold, strike and control their drumming patterns with their strange instruments. There is a lot of new information to process and techniques to get right.

Drumming really does provide a unique self-development journey. In the initial acute stages of learning or change, certain behaviours are revealed, as participants react to having to perform something new. Many see it as an exciting challenge to master. Some continue half confused and bluff it. A few initially find it frustrating and may want to give up. These are really interesting initial states for participants to be aware of and provide insight into how participants may respond to other new challenges at work or in their life as a whole. With expert facilitation, we ensure that everyone can successfully navigate the challenges of learning something new, to end on a high!

Providing a self-development journey for participants is why we are regularly asked to deliver drumming events to a wide spectrum of audiences and environments. One day, we may be providing a drumming workshop to thousands of conference delegates, while on the next day, we may be delivering senior management training. 

Of course, some participants just see a drumming session as great team fun and some light relief from a mass of Powerpoint presentations. However, there are always many others who come up for a quiet word afterwards to express how the session deeply affected them. This is what makes us so confident and proud of the work we do. There are very few activities I have come across that offer the same impact.

Now…back to my own journey learning my Cajon!

The history of drumming (Part 3)

by Mark Hunter on October 23, 2012

Photo of Mark HunterThis is my final segment of a whirlwind journey charting the prominence and purpose of drumming and rhythm in our society.

Following on from my previous Part 1 and Part 2 posts, I now look at more recent developments, discussing how the world’s oldest external instrument is used in medicine, music and business development.

Drumming workshop in action40,000 years ago drumming was used my medicine men to heal the sick. Today, drum therapy is widely used for stimulation, treating a variety of conditions from Autism to Alzheimer’s disease. There is substantial medical research that shows strong health benefits from drumming. Drumming is proven to make people less stressed and enhances feelings of wellbeing, as anyone that has attended one of our drumming workshops will know!

Drumming and rhythm now play a huge part in modern music. Enquiring clients often ask how is it possible to quickly teach groups of non-musicians to drum together. The answer is that, almost day and night for all of our lives, we have been surrounded by recurring rhythms we hear on TV and radio. Facilitating the playing of rhythms is just simply awakening what is already there.

The same sensations that have our clients transfixed in our corporate events are exactly the same as those generated by African rhythms incorporated into early blues and jazz music. By the early 1900s in the United States, these infectious and prominent pulses had taken root, and musicians and listeners alike were smitten forever.

Drumming was a showcased feature in the big band era and was an integral part of the global explosion of rock and roll. By this time, almost all of the world’s societies had fallen under the spell of rhythm led music!

The prominence of drumming in popular music created a frenzy of dance crazes and different musical styles. Importantly, it also created a crucial awareness of non-Western cultures bringing into existence what we now call ‘world music’.

The concept of bringing different cultures together is very important in our events and why we use drums and rhythms from all over the world to create a performance that it truly global in nature. This obviously fits perfectly with the many global companies for which we deliver events.

The rising interest in world percussion and the underground popularity of drumming in groups sowed the seeds for what would eventually become ‘drum circles’, which were instigated by Arthur Hull.

Arthur Hull has earned himself the title of tireless ‘grandfather’ of the drum circle community. It was seeing Arthur work in the UK that gave me the initial inspiration to take this form of group music making into the business realm. Back then, just as syncopated bass drums were beginning to fade with the current Hip Hop music trend, only a handful of companies worldwide had even thought of using drumming within corporate team building or conferences.

Being at the forefront of this activity revolution meant that DrumPulse could offer organisations unique team experiences that were totally inclusive and non-competitive. By perfecting professional and successful delivery formats for the corporate world, without compromising on the energy and magic that drumming offers, we have grown strongly over the last 15 years. We use the power of drumming to unite work colleagues, strengthen bonds and inspire people to succeed.

Let me leave you with some footage of just how far we humans have taken thumping sticks on skin.

About the author:

Mark Hunter is Head Facilitator and Co-Founder of DrumPulse, which provides unique drumming-based team building activitiesice breakers and energisers to organisations, big and small, across the UK and worldwide. For more information, please contact us.

Photo of Mark HunterOne of the most common requests from enquiring clients is, “Can a drumming session totally revitalise and change the atmosphere of my event?” This is  because many conferences and meetings comprise long agendas with many speakers, often tackling difficult and challenging subjects.

Introducing a team activity can lighten the mood or change the direction of an event to give everyone involved time to reflect, relax or simply recharge.

As an extreme example, only this week we were asked to provide an energiser to bring new energy to the room after a very serious presentation. Following a sober and graphic account of what the local helicopter air ambulance service actually faces each day, delegates saw traumatic images and heard first-hand accounts of recent real-life situations from the pilot.

Photo of a drumming energiser

Then it was us on stage next! Walking the line between being utterly respectful of what had gone on just before and understanding the need to lead the room in a new direction, we successfully managed to change the focus and mindset of the audience within only a few minutes.

Whilst defiantly not forgetting the gravitas of the last presentation, participants allowed themselves to have some fun and be lifted by the power of drumming together.

Irrespective of the type of content on an agenda, we have found that DrumPulse sessions never fail to be totally positive and practical additions.

From observing conference audiences over many years, I strongly believe that interjecting energisers at strategic points in the agenda can ‘reboot’ the listening capacity of the audience. Typically, delegates can only absorb so much PowerPoint and verbal information – no matter how expertly presented – before information begins to wash over them!

If the activity in question can relate, or provide a powerful metaphor, to the content of the day, then that is even better. This is what makes drumming such a winning choice for corporate event organisers.

By bursting into a room, playing on cue, we provide a startling wake up call to any group. Before the audience has time to take a collective breath, we flood the very same room with drums for everyone.

The entire room, environment and audience expectations are totally changed within the first minute, and we haven’t hardly even started!

Our facilitators’ unique styles, antics and use of humour have become our trademarks around the world. Our facilitators never fail to keep participants enthralled as they effortlessly become an amazing drumming orchestra (or boomwhacker ensemble).

By skilfully combining entertainment with rapid learning, we disarm, build trust and create stunning results with our novice orchestra. The powerful combination of hearing, seeing and feeling provides a highly stimulating experience.

Throughout the session, participants are full of energy and alert, with faces beaming. This results in a much more receptive audience going into the next section of the work agenda.

 

About the author:

Mark Hunter is Head Facilitator and Co-Founder of DrumPulse, which provides unique drumming-based team building activitiesice breakers and energisers to organisations, big and small, across the UK and worldwide. For more information, please contact us.